The world is burning up in flames shower it with Your Mercy, and save it! Save it, and deliver it by whatever method it takes

The quote was written on the walls of one of the most beautifully designed and curated exhibition gallery of Virsaat-e-Khalsa. The religious museum is designed by one of the iconic architect Moshe Safdie. Located in the holy city of Anandpur Sahib the museum is within the vicinity of gurudwara and have two major complexes on each side of ravine connected by a ceremonial bridge. The 500 years of Sikhism and establishment of Khalsa is the main theme of the museum which not only attracts tourists but also pilgrims from all over the country.

The Architecture

It was here in 1699, on the day of Baisakhi, that the 10th Sikh guru, Guru Gobind Singh, founded the Khalsa Panth and baptized the `Panj Piaras` (the first five baptized Sikhs known to be the loved ones of the Guru).

The Museum building, which is shaped like hands offering prayers, unfolds Sikh history and tradition -like never before.The project has two main complexes, which are joined with a connecting ceremonial bridge. The canopy on this bridge is a strange experiment in architecture and is situated in the opposite direction of the sun and does not provide any shade.

Canopy on the bridge

The western complex houses an auditorium with a seating capacity of 400. It has a huge exhibition gallery and a library (including a library of Music), housing all journals, magazines, books and periodicals on Sikhism.

The eastern complex has a north wing also known as flower building. It has another part, which is called boat building or heritage building. The roof of the flower building is shaped in form of five petals – depicting Panj Piaras of Guru Gobind Singh or perhaps even the five tenets of the religion. Each petal houses a gallery tracing the life history of all gurus from birth to attaining salvation/ martyrdom.  The petal at the highest altitude has information and exhibits on the Guru Granth Sahib.

Petal at the highest altitude with water from fiver rivers in Punjab

Exhibit Galleries


Part of the 360-degree wall-mural created by Orijit Sen.

The awe inspiring experience begins at ‘Panj Pani’ —The Boat Building which houses the largest hand-painted mural in the world, created by none other than the amazing Orijit Sen. It is a 360-degree mural depicting the past and the present of Punjab, as seen in its villages and towns and cities. When you enter this gallery,  it is pitch dark, suddenly broken by the sound of birds chirping and a blue tint of light. The feeling and the scenic view is hard to put in words and is best experienced. You realize that the room is like a deep well with adorned walls (almost like a popup card)  beginning with the dawn of the day, taking you through numerous love stories, Punjabi festivals, rituals, occupational works, the Golden Temple of historic times, and ending with the setting of the sun – all while visitors ascend the height on a central circular walkway. The visual experience is coupled with Punjabi songs, and expectedly, you can find visitors on a Sunday Bhangra-ing their way up the ramp.

15 century Punjab

15th century Punjab

There is also a depiction of 15th-century Punjab, where under the Lodi reign, casteism and superstitions had taken over people.

15th century Punjab

The Journey

After this gallery, you are given an Audio Guide with language selection options. It is one of those automatic ones which will sense which gallery you’re entering and start the guide! As you start the journey in, the familiar Ik-Onkar takes over, revealing a crystal-lights installation which is pretty interesting!

Ik-Onkar Lights Installation

The origin of Sikhism

Thematic carpets adorn walls of this part of building for which weavers from Mirzapur had been roped in.  This exhibit, with special sound effects, is situated in a drum-like building  and an audio message highlights the core principles of Sikhism.

Thus starts a mesmerising journey into the lives of first five Gurus through the five petals of the flower building. The narrative begins with Guru Nanak Dev and ends with that of Guru Arjan Dev.

Guru Nanak Gallery : Guru Nanak at Kartarpur (Embroidered panels)

The subsequent galleries depict  achievements of Guru Angad Dev and Guru Amardas. One of the galleries is divided into two, by recreating a baoli in the middle, to highlight Guru’s contribution. The use of shadow puppets and indian crafts is predominant throughout the galleries.

The Baoli

Growth of Sikhism & the Creation of Amritsar

The gallery in the fourth petal contains exhibits on the contribution of Guru Ram Das, including the construction of the city of Ramdaspur, adding 11 ragas to existing corpus of Gurbani and the Lavan. The city of Ramdaspur has been recreated in an embroidered panel.

Embroidered panel

The gallery in the fifth petal showcases key events in history of Sikhism: construction of Harmandar Sahib and writing and installation of Adi Granth. A pathway leading to the gallery  has a replica of Harmandar Sahib. The gallery also has an ethereal, glowing representation of Prakash Sthal – the place of the Adi Granth in Harmandar, in the centre. Around this central installation are shown stories related to the establishment of Adi Granth. Four arch-shaped doorways around it recreate different scenes describing the life and times of Guru Arjan Dev.

Prakash Sthal, the place of the Adi Granth ; recreated in the Museum

The Sacrifice of the Gurus & the formation of the Khalsa

There is another gallery depicting Guru Arjan Dev’s martyrdom in the form of a sculpture on the terrace. It is a Tatti Tava ( to symbolically depict how the Guru would have felt the heat of being roasted alive).

The martyrdom of Guru Arjan Dev

The Eternal Guru

After the formation of the Khalsa, years of struggle followed Guru Gobind Singh. With the loss of his family and army, he completed the Guru Granth Sahib in refuge, before becoming one with God.

The Eternal Guru: Guru Gobind Singh’s Gallery

From here you go downwards to the lower level, and on your way, you can read short excerpts from the Guru Granth. This is the second phase of the Museum which opened in November 2016. The 13 galleries in this phase trace the the socio-political and religious development of the Sikh community from early 18th century to present times.

The galleries at the lower level  chronicles the trials, tribulations and triumphs of the Khalsa from Banda Bahadur to colonial times.

Baba Banda Bahadur

The Khalsa rule under Baba Banda Singh Bahadur’s command lasted a brief period during which the community emerged as a power capable of shaking the foundations of Mughal rule. It was a time when the common folk reclaimed their ownership over the land of Punjab. When the news of Sikh outbreak reached Bahadur Shah, the Mughal forces responded by raiding and persecuting the Sikhs. After the siege of Gurudas Nagal which lasted for 8 months, rife with attacks and counter attacks, Banda Bahadur and his companions were finally captured and taken to Delhi.

The period after the death of Banda Bahadur was marked by wars, invasions and intense violence. The year 1765 marked the end of this long period of unrest and brutal massacres. With the Khalsa finally defeating Abdali and taking control of Lahore, independent Sikh Rulers started to emerge in Punjab. This was a period of peace, prosperity and development in Punjab. The arts and crafts received patronage and the creative side of the Sikhs started to emerge. Prosperity had come back, and its depiction at the museum is nothing short of real.

Sikh Misls

Another important gallery in this phase is dedicated to the Misls. Through the 12 Misls, the Sikhs became the true caretakers and rulers of Punjab. Collectively,the misls came to be known as the Dal Khalsa. Any horse-riding Sikh warrior could join any one of the 12 Misls. You can experience the automated mannequins of Sikh warriors with robes and armaments used by the Misls.

Almost real:  Sikh Misls.
Almost real:  Sikh Misls.
Against the British

Maharaja Ranjit Singh & Sikh Leadership

There’s a double-panorama screen showcasing the coronation ceremony of Maharaja Ranjit Singh and his court until the British period. There’s a black curtain which comes on, and two walls of this gallery become a panorama screen such that a horse moving on one wall, can be followed onto the other one!

The Coronation of Maharaja Ranjit Singh and his Court

Martyr Bhagat Singh, Kartar Singh Sarabha, Master Tara Singh and other political and religious Sikh leaders also get space in the galleries. Master Tara Singh goes on to be immortalised through an animated robot. The princely states, colonial times and Ghadr movement are well depicted in the Museum, as is the Partition.

The depiction of Sikh dynamism which transformed Punjab with its resilience and determination is unparalleled and is sure to leave you with goosebumps.

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